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Foreword and Interview by Yahsmin Mayaan Binti BoBo In
today’s commercial world of music and marketing, the urban art form
of Hip Hop has been included in the overall demise of artistic expression.
The artistic expression we once knew is being dominated by capitalism and
consumerism and consequently, we are witnessing generic icons perpetrating
as artists. Hence, we have seen the unsightly integration of pop culture and
Hip Hop. It is not a new phenomenon, but nevertheless still disappointing.
Unfortunately, our legacy has been tainted and many unknowing fans cannot
make a clear distinction for themselves. Indeed, in today’s world the
youth buy into the generic trends rather than seeking the musically gifted
artists that are often "underground". The youth believe in pop culture
more than they believe in art and therefore, an Emcee of today is thought
to be like an instant food product of which the corporate execs prepare by
simply adding water. Realistically, it takes more that just adding water to
produce a noteworthy Emcee; it takes ingredients from many life experiences,
ideologies, musical influences, and talents. Thankfully,
due to the rise of Muslim Emcees and
conscious Emcees in general, those ingredients are being restored and all
hope isn’t lost after all. Islam
and Hip Hop have deeper roots than most fans are aware of. Hip Hop is
seen as a surviving
Africanism, an oratorical legacy, and if we aren’t educated on the
many aspects of African culture throughout the Diaspora, then we aren’t
in full recognition of this significant relationship. Likewise, throughout
the Diaspora, Islam is manifested in a spiritual, cultural, and societal form.
The blending of these two cultural traits is a magnificent combination as
some (but certainly not enough)Hip Hop fans are finding. As
M-team fans patiently await the release of their newest albums, entitled Wretched
of the Earth and Clash of Civilizations, people want to know
just how dynamic these albums, produced by the infamous BeLikeMuhammad, will
be. Among those fans is a diverse and rare following- Hip Hop junkies, Muslims,
Latinos, activists, and intellectuals. Why such a diverse fan base? Mujahideen
Team represents a unique combination of all these cultural and revolutionary
ingredients, these two (biological) brothers are of Puerto Rican ancestry
who reverted to Islam in young adulthood. The lyrical representation is nothing
short of brilliant and encompasses various socio-economic and political issues
that we face here in the States and elsewhere in the world. Not only do these
spiritual warriors represent for The Cause, they courageously stand for the
entire Ummah (global Muslim Community). In essence, it is ingredients like
this that make Emcees truly remarkable. They are teachers as well as leaders,
artists in addition to activists, and most importantly Zhivago and Ensahbanor
are Believers who take hold of the mic and use it as an instrument of power,
influence, creativity and enlightenment. Any
dedicated Muslim who was raised in this Hip Hop generation has been waiting
for a duo like this, one of the spiritual and political magnitude that is
necessary to convey Da’wah (propagation of Islam) and ‘Ilm (knowledge).
Formerly represented by Cold World Industries, the brothers made a daring
yet rewarding decision to join the Remarkable
Current crew. Not only are they benefiting from the potent production
of BeLikeMuhammad (Anas Canon), they are now aligning themselves professionally
with rising artists like ElevenFiftyNine, Kumasi, Sidi Yassir and many others.
The talent is seemingly contagious within this coalition of artists. Ensahbanor
of M-Team gave me the honor of an informal interview, which you can read following
this piece. God willing, their album
(Clash of Civilizations) is dropping as I write, in addition to another
performance in
the Bay area on the eve of the New Year. Indeed, it will be a new day in Hip
Hop… Q:
How would you characterize your music personally? Describe your flava to the
listeners and potential fans. Q:
The name Mujahideen Team is very sophisticated yet controversial, could you
explain what led the two of you to represent like this? Q:
Being that fans were so hyped about ‘Report from Iron Mountain’,
what can we anticipate from the newest joints, ‘Wretched of the Earth’
and 'Clash of Civilizations'? And what is the significance in the title of
this new joint? Q:
How has your transition been from Cold World Industries to joining the Remarkable
Current Crew? And what has it been like working with them so far, and specifically
BeLikeMuhammad? Q:
Who are some of the artistic influences (Emcees) in your lives and work, and
how would you say they inspired you to reach this level professionally? Q:
Are there any other Latino/Caribbean Emcees that you would like to collaborate
with in the future? Q:
What has been your experience thus far, in the industry, as Muslim artists,
and not only that, but as socio-political revolutionaries? Q:
Who are your influences as spiritual warriors and political activists? Q:
What are your thoughts on the current state of the Ummah (global Muslim community)? Q:
Do you feel there is a way, lyrically, to connect the struggles of the Ummah
and that of Latin America/Caribbean? For instance, do you see a commonality
between the legacy of martyrs like el Hajj Malik el Shabazz and Ernesto “Che”
Guevara?
Q:
How would you explain Jihad
an Nafs (struggle of the ego), and do you feel that you have lyrically
illustrated this concept in your music? Q:
Outside of Hip Hop, can you tell the fans about your involvement and activism
in the community/organization in which you are committed? Q:
And finally, what is your message to both the youth of Islam, and the youngstas
coming up in the barrio? M-Team, 2005 |
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